Tag: self-publishing

The Good, the Bad, and the Self-Published

May 11, 2017, for The Horn Book, by Rachel G. Payne

Right about now, the 2018 Caldecott chair is likely receiving a steady trickle of self-published books in the mail. Yes, these books are completely eligible for the award! As long as their illustrators are American, that is. But is this an exercise in futility? Could a self-published picture book actually win? To my knowledge, one never has, but if it did, it would be game-changer.

When I served on the 2009 Caldecott committee, self-published authors and illustrators who wanted to submit something for award consideration had to send it to every committee member and also to ALSC. That adds up to a whopping 16 books, and lots of postage. And if they are submitting the book to several award committees, that can really add up. Thankfully for the indie crowd, this rule changed a few years ago, and now only chairs and the ALSC Office are required to get copies. As chair, I got several of these submissions each week, and I even had a few waiting for me on my desk at work after my committee had deliberated. The submissions often came with heartfelt letters and self-generated marketing materials attached. While I can’t share any specific titles with you, they did indeed run the whole gamut: the good, the bad, and the ugly. Here are a few patterns that emerged in the submissions I received.

The amateur hour: If you are professional who works with children’s books, I am sure someone has said to you, “I have a great idea for a picture book…” Many of the books I received were labors of love by the author, to bring these ideas to fruition. There was often the kernel of a good idea there, but many fell down in the art department. It looked as if the authors had invited family members, next-door-neighborhoods, or college friends to illustrate their books. Or the writers themselves pulled out an old set of watercolors to create the art. They were amateur artists, and it showed.

Where’s the story?: There were a few books that had exceptional art, often by an art student or practicing artist, but the story was an afterthought. It seemed as if someone had told the artist they could and should create a picture book out of their portfolio. These submissions proved the point that a picture book is more than a collection of pretty pictures.

The slush pile: Whoever coined this phrase was a genius, because many of the books I received left me cold. A few were disturbingly racist and sexist. Others were extremely odd, and you have to wonder how anyone could think a children’s picture book on this topic was a good idea. Some everyday objects should not be anthropomorphized!

Diamonds in the rough: There were a few books that had interesting art and compelling stories to tell. They were also handsomely printed and bound. When I had enough of these stand-outs, which were few and far between, I would pack them up and send them off to my fellow committee members for a second opinion in what we called the “indie box.”

How far did any of these self-published books get in the award process? That I can’t share, but I think it is telling that a self-published book has never, to my knowledge, won the award. And, I’m sad to say, it is unlikely to happen. While the tools and services available to authors and illustrators to make their self-published books look their best are getting more sophisticated every year, indie authors don’t have the talents of professional editors, art directors, and book designers to draw on. They don’t have the funds to pay for high-quality paper, full-color endpapers, or even dust jackets; all of the things that make picture books beautiful physical objects that make children (not to mention committee members) want to touch, open, and pore over. When it comes to awards, publishing is not an even playing field.

A word of warning to authors or illustrators who may be submitting their self-published work for award consideration (and some major publishing houses could use a reminder, too): read award submission guidelines carefully. If your book is not eligible for an award, no matter how wonderful it is, don’t submit it. It is a waste of your time and money. Also. Committee chairs can’t return your book to you, and they don’t have the time to acknowledge that it has been received (get a tracking number from your courier). And no, the Caldecott chair cannot pass your work along to the Newbery chair.

While it may be difficult or even impossible for a self-published book to win a Caldecott, I hope independent writers and artists keep at it. In my career as a librarian, I have sometimes turned to indie books on topics that major houses were not addressing. Recently, to support one her students, a kindergarten teacher asked me for a simple picture book about a child who wears hearing aids. El Deafo was too long, and other titles were about getting cochlear implants, not this boy’s experience. The best book I found was Maxi’s Super Ears, written and illustrated by Maggie Klein and published by Maggie Klein. While it did not win a Caldecott, it is no less important or necessary to its readers.

So what’s your take? Could a self-published picture book ever win?

About Rachel G. Payne

Rachel G. Payne is coordinator of early childhood services at Brooklyn Public Library. She has written for School Library Journal, Library Trends, and Kirkus and was a contributor to Reading with Babies, Toddlers and Twos (2013) and Library Services from Birth to Five: Delivering the Best Start (2015). Rachel served as chair of the 2016 Caldecott committee and as a member of the 2009 committee.

March 8, 2017 featured article in Publishing Perspectives, by Porter Anderson

Called Type & Tell, Bonnier’s new self-publishing platform has been quietly tested in Sweden since September 2015. Its English edition launches during London Book Fair.

Some publishing corporations have acquired existing self-publishing services—as in Macmillan’s purchase last year of Pronoun in the States. Bonnier’s team has created its own self-publishing platform with interesting distinctions.

Led by Bonnier Books Ventures chief Rebecka Leffler, Type & Tell’s initial Swedish site has been quietly growing longer than you may think, since autumn 2015. The English edition of the site is launching during LBF, and you’ll find the Type & Tell stand at 1F50E.

And on the Swedish site, we get a sense for an interesting conceptual basis for the platform, as we read:

“We live in a country where freedom of expression is every individual’s right. But what is the state of press freedom?

“Anyone can publish a book? According to us, yes!…The time when only a handful of publishers decided what we read and what stories reached us is past.

“It’s time to open the floodgates for all the hidden stories out there. Now we are democratizing literature.”

  "Children's Books" is one of the popular topics to browse on the international Publishing Perspective website.